![]() Date Rape: The Girl was raped by her former boyfriend during a date.Creator Cameo: A very young, very clean-shaven Scorsese plays one of the guys at the party in the "El Watusi" sequence.Even more misleading than it seems, since the woman in the picture isn't Zina Bethune. Covers Always Lie: The original poster features a still from the gratuitous sex scene that the distributor forced Scorsese to add.J.R.: Anything happens to that, my mother will pass out. Chekhov's Gun: The Madonna-and-child statue we first see in the opening scene with J.R.'s mother is seen later in his apartment, visually representing his Catholic guilt.This was the same boyfriend who violently raped her during a date. Bitch in Sheep's Clothing: The Girl describes her former boyfriend as "gentlemanly".is clearly a stand-in for Scorsese himself, as a Little Italy native who loves the work of John Ford, though giving him some less-admirable traits was probably a good way for Scorsese to distance himself enough from the character so he could approach the story more objectively. is much more likable than his macho buddies, has Hidden Depths, and has a sensitive side that The Girl helps bring out, but the negative attitudes of the culture he was raised in make him do and say some bad things. ![]() ![]() The infamous added sex scene used the more contemporary "The End" by The Doors. Here, he chooses songs from The '50s and the early part of The '60s that were a few years out-of-date to the setting, like "Who's That Knocking?" by The Genies, "I've Had It" by The Bell Notes, "El Watusi" by Ray Barretto, "Shout" by The Isley Brothers, "Shotgun" by Junior Walker, "The Plea" by The Chantels, "Jenny Take a Ride" by Mitch Ryder & The Detroit Wheels and "Ain't That Just Like Me" by The Searchers (a subtle Call-Back, since there's a conversation about The Searchers-the film-earlier in the movie). Anachronistic Soundtrack: Even this early in his career, Scorsese was using pop music as a major part of the soundtrack, with frequent Soundtrack Dissonance.When Wadleigh directed Woodstock three years later, Scorsese helped out with camerawork and editing. Michael Wadleigh was one of the cinematographers. Some experimental filmmakers started doing it in The '60s, and Scorsese, well-versed in the emerging underground cinema movement, created his own spin on the idea here. note With film studios having large music departments, and the expensive cost for music rights, using songs on a soundtrack was deemed unnecessary. Scorsese would help make this an almost-universal technique of modern filmmaking with his use of it in later films. It's also sometimes called the Ur-Example of a mainstream feature film that features extensive pre-existing pop music on the soundtrack, as a way to establish a mood, comment on the action, or provide Soundtrack Dissonance to the action. This film introduced many of his signature motifs and tropes. Eventually more footage was added, and it gained acclaim on the film festival circuit. ![]() It began life as a short, Bring on the Dancing Girls, he made while attending film school at New York University. This film marked Scorsese's feature debut as a director. Riddled with Catholic guilt and toxic masculinity, J.R. ![]() They fall in love, but the tug-of-war between J.R.'s familiar lifestyle and his uncertainty about the new possibilities that the Girl represents turns into a full-blown crisis when she reveals that she was raped by an old boyfriend. One day, riding on the Staten Island Ferry, he meets a young, blonde, middle-class woman (Bethune). (Keitel) is an aimless young man who lives in New York's Little Italy, spending most of his days hanging out with his friends. Matthew you will see Start with chapter twenty-four and read from one to thirty-three In our Savior's blessed words He said on earth, He prophesised For He spoke of this great battle that is coming by and by All the way from the gates of Eden to the Battle of Armageddon There's been troubles and tribulation, there'll be sorrow and despair He has said "Be ye not troubled for these things shall come to pass.Who's That Knocking at My Door is a 1967 Romantic Dramedy film written and directed by Martin Scorsese and starring Harvey Keitel and Zina Bethune. There's a mighty battle coming and it's well now on its way It'll be fought at Armageddon, it shall be a sad, sad day In the Book of Revelation, words in chapter sixteen say There'll be gathered there great armies for that battle on that day All the way from the gates of Eden to the Battle of Armageddon There's been troubles and tribulation, there'll be sorrow and despair He has said "Be ye not troubled for these things shall come to pass." Then your life will be eternal when you dwell with Him at last Turn the pages of your Bible, in St. ![]()
0 Comments
Leave a Reply. |